# Mics ## Updated Audio Equipment List The audio team would like to replace the three items below: [![image.png](https://wiki.amaravati.org/uploads/images/gallery/2024-09/scaled-1680-/qLuimage.png)](https://wiki.amaravati.org/uploads/images/gallery/2024-09/qLuimage.png) with:
APPLICATIONDESCRIPTION/TYPELOCATIONMANUFACTURER & REF (NOTE 1) QuantityNOTES / ACCESSORIES
Zone 1Wireless SM58 Microphone SystemSala (AV Cabinet\*)[Shure GLXD24+/SM58](https://www.thomann.co.uk/shure_glxd24_sm58.htm) 22x Dual band 2.4GHz and 5.8GHz Digital Wireless System with microphone
Zone 1Rechargeable Li-Ion batteries Sala (AV Cabinet)[Shure SB904](https://www.thomann.co.uk/shure_sb904.htm)2For Shure GLXD24+/SM58 System
Zone 1Wired SM58 microphones with switchSala (AV Cabinet)[Shure SM58S](https://www.thomann.co.uk/shure_sm58s.htm)2 We have old mics we can use as well in addition to this in zone 2.
**\*Note**: The AV Cabinet seems more suitable for a locating the mic wireless system (due to a Wi-Fi access point in the AV Room creating interferences) #### Comment from Neil, Acoustic Engineer Both analogue and digital mics can suffer interference. But slightly different characteristics. I think the digital systems have perhaps more risk on cutting out altogether within a full venue (lots of mobile phones etc). But I get the impression that the quality of the product is likely more important. For example I believe the Shure QLX-D wireless systems are a bit of current industry standard for quality hardware. Inevitably, analogue mics are going to be simpler to operate and probably less likely to cut out altogether - although can also be prone to stray analogue interference. It could be that a decent old school Shure analogue system is suitable, and provides more comfort and less risk, such as BLX288/B58 - Wireless Dual Vocal System with two Beta 58A - Shure United Kingdom ##### Reply from Tan Karunno While it is true that both analogue and digital microphones suffer from interferences, they have different intermittence characteristics. The noise-floor threshold in a digital system cuts out if there is no data coming through, getting indistinguishable from the background noise-floor, while it creeps in on an analogue transmitter/receiver system. In the Shure GLXD24+ Wireless System, Shure has tried to specifically address this issue of using the 2.4GHz and 5.8GHz frequency bands, by incorporating a dual band system in the GLXD24+, that runs on both - switching to the other band if needed. Also, the Shure QLX-D Wireless System requires a **licence** in order to use it, the Shure GLXD24+/SM58 System does not require one.